Hasselblad RAW Files Now Supported in Capture One: Unlocking Native Editing (2026)

Hasselblad photographers, rejoice! The long-awaited native RAW support for Hasselblad files in Capture One is finally here. This partnership between Hasselblad and Capture One is a game-changer for photographers, offering a seamless and efficient workflow that was previously lacking. But what does this update really mean for photographers, and how does it fit into the broader landscape of photography software? Let's dive in and explore the implications of this exciting development.

A New Era of Workflow Efficiency

For years, Hasselblad photographers have had to resort to workarounds and conversions to get their RAW files into Capture One. This often resulted in a loss of color fidelity and editing latitude, which could be frustrating for photographers who rely on the software's advanced tools. Now, with native support, the process is streamlined, and photographers can import, organize, and develop Hasselblad's .3FR files directly with Capture One's full toolset. This includes layers, masks, color editing, and precision adjustments, all of which are essential for achieving the perfect image.

What makes this particularly fascinating is the attention to detail in the integration. Each of the three supported cameras (X2D II 100C, X2D 100C, and CFV 100C) gets its own dedicated color profile, ensuring accurate and consistent results. Even Hasselblad's XCD lenses get their own lens profiles, correcting distortion, chromatic aberration, and light falloff. This level of customization and precision is a photographer's dream come true.

Expanding the Capture One Ecosystem

Capture One already supports over 550 cameras and 700 lens profiles, and with Hasselblad's addition, the software gains a powerful new ally in the medium format camera market. This expansion not only benefits Hasselblad photographers but also strengthens Capture One's position as a go-to editing software for a wide range of camera systems. It's a win-win situation, as photographers gain access to a more comprehensive and versatile editing environment.

One thing that immediately stands out is the potential for older film bodies to be integrated into a modern RAW workflow. The CFV 100C, a modular back that mounts on classic Hasselblad V System film cameras, allows photographers to bridge the gap between the past and the present. This is a significant development for medium format holdouts, as it opens up new possibilities for those who want to work with their vintage gear in a contemporary editing environment.

Looking Ahead: Tethered Shooting and Beyond

While the native RAW support is a major breakthrough, there's still one feature missing: tethered shooting. Connecting a Hasselblad camera directly to Capture One for live, on-set capture isn't possible yet, but the companies have announced it for later in 2026. This is a crucial feature for many photographers, as it allows for real-time feedback and adjustments during shoots. The exact timing is still unknown, but the promise of tethered shooting is a compelling reason for Hasselblad photographers to keep an eye on Capture One's updates.

In my opinion, the future of photography software is moving towards seamless integration and efficient workflows. This partnership between Hasselblad and Capture One is a step in the right direction, and I'm excited to see what other innovations and improvements we can expect in the coming years. For now, though, photographers can celebrate this significant milestone and look forward to the next exciting development in the world of photography software.

What this really suggests is that the photography industry is evolving, and software developers are responding to the needs of photographers. As we move forward, I believe we'll see more partnerships and collaborations that push the boundaries of what's possible in photography. So, let's raise a glass to the future of photography software and the exciting possibilities it holds!

Hasselblad RAW Files Now Supported in Capture One: Unlocking Native Editing (2026)
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